Editorial · Case Study

A manifesto about distributed work — designed by a team that was itself distributed across five continents.

Art direction and editorial design for the Enspiral Foundation's flagship book on the future of work. The medium had to be the message.

Better Work Together book cover and back cover laid flat, showing the illustrated bird spanning the full spread
Client
Enspiral Foundation
Industry
Future of Work · Publishing
Role
Creative Director & Art Director
Foreword
Douglas Rushkoff

A book preaching decentralized collaboration could not be made by a committee locked in one room. The production had to prove the thesis.

One book, held together by a collective mind — from five continents.

11
authors woven into a single editorial voice
5continents
Brazil · New Zealand · USA · Australia · India · Germany

Five time zones. One vision.

The production itself was the proof. From São Paulo, I held the structure that connected writers, artists, publishers, and printers on five continents — the sun never set on this book.

World map showing collaboration nodes: art direction in Brazil, content and producing in New Zealand and Australia, key visual in India, foreword in USA, printing in Germany
🇧🇷
Brazil
Art direction & editorial system — the hub
🇳🇿🇦🇺
NZ & Australia
Producing authors & content team
🇮🇳
India
Key visual — cover illustration
🇺🇸
USA
Foreword by Douglas Rushkoff
🇩🇪
Germany
Final production & printing, Berlin
One flexible grid. One visual language. One bird.
Essay spreads from Better Work Together showing the editorial system
The Key Visual

A flock assembled into one body.

Detailed black-and-white illustration of a bird composed of hundreds of smaller fragments, symbols, and hand-drawn elements Diagram showing how each fragment of the bird illustration becomes the opening visual for an individual essay chapter
Māori visual reference — interlocking traditional patterns that inspired the bird illustration

Rooted in Māori visual traditions — where identity is carried through intricate, interlocking patterns — the bird on the cover was hand-drawn entirely by artist Mukund Yier in India. Each fragment of the bird becomes the opening illustration for an individual essay — the whole contains the parts, and the parts build the whole. Up close: eleven distinct voices. At distance: a single creature in flight.

One spine. Eleven voices. No drift.

Open layout showing front and back cover of Better Work Together
Cover System

The bird spans the full spread

Front cover, spine, back cover — the illustration stretches uninterrupted across all three surfaces. The circular title lockup on the right mirrors the dark aperture of the back cover, turning the book into a single continuous object whether shelved or open.

Special Chapters

Color, spent where it lands hardest

To keep the budget honest, the eleven essays run in only two colors — black and magenta. A dozen special chapters break into full color, marking shifts in rhythm and giving the book its visual punctuation. Restraint made the color count.

Pink essay opener spread with a quote on a saturated color page facing body text on white Cyan and yellow essay opener spread with stylized headline typography Recipe-themed editorial spread from Better Work Together Better Work Together book detail Essay opener spread from Better Work Together
Creative director Renato went above and beyond to express the collective, creative spirit of this work, and together with artist Mukund transformed text into a wonderful piece of art.
Anthony Cabraal Editor, Better Work Together · Enspiral Foundation